Learning and Labor

Route 285

The new year began early, for me. Hastily I finished what pieces I could in the studio, mixed batches of clay, packed up the truck to drive to McKinney Texas for a weekend workshop. I was looking forward to it - and as I set out, before dawn, so as to be pretty far down Route 285 by the time the sun started rising, I was also thinking: soon as I get back I need to get to work. 

These two things are always distinct for me - teaching, and working. Making work. When you're doing that you're working. When you're teaching - or attending a workshop too, for that matter - when you're learning - you're doing something different. That is a funny distinction to make, but I do it. Despite the fact that often, when you're teaching, demonstrating, you end up making work that you really like. Why is that?

slab-built stoneware plate with feet

Learning and Labor - this was the motto of the college I went to. There, too, a supposed separation between work and study. The learning part - in that college context - carries the connotation of being passive, sedentary, cerebral. Labor - that part is supposed to make you honest. Adding a physical dimension to the life of the mind, I guess the thinking goes, work helps you 'earn' what you know.  Makes your learning stick - makes it authentic.

Maybe that does happen. But the studio has always been an escape, for me, from this artificial distinction - separating the mind and body - and from the academic. For a long time I didn't want to teach at all, and this was the reason. In the studio there are no ideas - just things that need to get done. There is a great freedom in that - even if it is a bit of an illusion.

Teaching & learning take tremendous energy - they are hard work - work on the other hand, so often, is a source of energy - you leave the studio on a day of making work and feel light, the drudgery redeemed. Also when you think about it - the work you make - the best of it - has a lot less to do with the physical, the tangible, the thingness and the labor. 

Your best work wafts out of the tangible and into the world of idea - and when you're there at the head of the group, doing some demo you hope students might learn from, your work slides in that direction more easily than ever. 

stoneware bottle with matte glaze